Misguided academic rails against Die Antwoord’s postmodernism

Adam Haupt’s stock ideas are derivative and contrived. Deserve to be rejected by anyone supporting freedom of expression. There is no rock without drums. Without the cross-pollination of African rhythms, there would be no jazz music, and likewise hip hop. Ditto, Die Antwoord.

In a piece published on The Conversation, the UCT academic launches into support rather than an appraisal of several allegations of ‘cultural appropriation’ leveled at South African alternative hip hop group Die Antwoord. Immediately reaching towards conclusions and an opinion-based misapplication of what he terms ‘dominant and marginalised subjects’, which borrows heavily from the work of a solitary UK academic Rina Arya, in the process, dishing out the Encyclopedia Britannica whilst ignoring the work of continental theorists.

Haupt thus appears oblivious to the earlier writings of literary theorists such as Julia Kristeva and Roland Barthes, who once championed the idea of inter-textuality. For Kristeva intertextuality was a “mosaic of quotations” where “any text is the absorption and transformation of another”. Roland Barthes argued “a text is made of multiple writings” because writers “blend and clash” existing meanings.

Books are not written in a vacuum. According to Michel Foucault, they are “caught up in a system of references to other books”. Each of these theorists made the same point: “the meaning of a text owes more to other texts than the writer who puts their name to the work.”

The concept may be applied here to music culture, language and even fashion. In fact, Haupt’s criticism was once leveled at Eminem.

Rapper Marshall Bruce Mathers III, was slammed for ‘appropriating’ rap music, a genre which ‘began at block parties in New York City in the early 1970s, when DJs began isolating the percussion breaks of funk, soul, and disco songs and extending them’. That’s right, black rappers, appropriated Disco, the Bee Gees, ‘white boy music’.

Take the context of Apartheid which was all about preventing cross-pollination and hybridity to the point where ethnic identity was preserved on bantu reservations by the selfsame logic used by Haupt – ‘for your own good’ and to ‘stop whites going native’.

It may feel good to object to the postmodern intertextuality and cultural hybridity of Die Antwoord, whose work he criticises for being associated with Afrikaans, but doing so places the writer alongside other puritans, Strydom, Verwoerd, Vorster and Malan. The academic merely demonstrates how fatuous, pompous and censorious he has become in a mode of writing that eschews the requirements of rationality and evidence-based research, to posit that the mere position of the subject within, generalised and unequal power relations, is enough to aver, racism?

In Haupt’s weird weltanschauung the reception of words such as biltong, blatjang, dagga and kwagga into Afrikaans are the result of a plot to eradicate a language he calls Kaaps, forgetting that the Dutch Creole emerged as a Gamtaal, an attempt, often by sailors, to communicate, so elegantly described by Daniel Defoe in his novel Moby Dick.

Haupt goes so far as attacking Yolandi Visser for painting her face with makeup, and the result is somehow redolent of ‘Swarte Piet‘, a Dutch character associated with the ‘colonial gaze’.

Women have been deploying makeup for centuries. It is a false equivalence to raise the spectre of Hollywood ‘blackface’, in other words, a ‘white actor playing the role of a black person’, since Yolandi is clearly just being Yolandi. There is no harm caused by her self-expression. Nobody is out of a job. So far as the misguided academic is concerned, artists and musicians labelled white should be placed on mute, and should not express themselves, because, well, they are white and he is not?

Haupt’s assertion of linguistic imperialism is tenuous at best, appearing to rely on the fact that similar accusations may have been written up, by other academics, and thus he engages with another logical fallacy, that of circular logic (circulus in probando), a problem inherent to deferred investigation and meaning, in an obvious scholastic bias — inauthentic criticism which at the end of day, rings hollow, since Zef is a style which emerged from the polyglot and patois argot of Parow, not the armchairs of moral policemen like Haupt.

Zef may have a passing association with so-called Afrikaaps, but saying this language or mode of expression should be reserved for certain people, is like saying all language is copyrightable, which is clearly not the case. Nobody is going to fine you for speaking German without a license. Doing so would place one alongside those who seek to suppress language. In fact such activity would resemble the self-same stratagems of those dastardly colonialists.

Culture is always fluid, it does not live in a museum and deserves to be seen within an intertextual continuum. Die Antwoord are a living cross-referential subject-object, not a mere expression or mode of power-relations. Speaking and singing are not always an expression of two basic stereotypes — the oppressor or the oppressed, — as if we are all mere government bureaucrats rather than artists creating living works of art, books, music videos? Haupt’s position is essentially anti-humanist for it seeks to subjugate his subject, fixing and doctoring the other’s creativity to his own fanciful interpretations.

We are anything but stereotypes.

The cheap parlor game played by Haupt invariably involves throwing around stock objections, bald assertions which may be based upon Marxist class analysis, and thus contrived academic notions of power and power relations — ideas obviously gleaned from narrow contemporary proponents of historical materialism (where all history should be strictly-speaking the history of classes). The result is a major contradiction — an historical dislocation and distortion leading to internal inconsistency.

Inconsistency which, at the face of it, tends to break-down the minute one bothers to actually read history — engaging with facts instead of mere, discourse. He could do better by getting to grips with Post-Marxism, which provides an anti-essentialist approach in which class, society, and history are no longer treated as unitary, universal, pre-discursive categories?

If apartheid wasn’t about cultural purity, what was it, mere materialism?

By the same token do we avoid food which isn’t cooked by Gogo?

Is there really an ever-present ‘grand narrative’ always reducible to geopolitical categories such as colonialism and empire?

Whither ones own private meaning, existence and right to language?

Do we have to remind Haupt to object whenever he encounters a black man in a French suit wearing an English collar and tie? Ditto those Celtic tattoos you just acquired at the local tat-shop. Why would anyone want to deny Die Antwoord‘s right to freedom of expression, if not to pursue a personal vendetta, or simply to get ahead in academia? Power-relations are not corrected by an inversion of power. We can turn the map of the Earth around, but we cannot change the fundamental fact of our common humanity.

So herewith my attempt at another definition. If the shoe fits wear it:

Wokeism is the purposeful misreading of history to score short term popular goals. Blind scholasticism without reference to actual evidence and research. The person who claims to be awake, is more than likely, still asleep.

We all one species folks

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Lushaba 2: That record needle skipping faux pas remains

READING some of the latest ‘academic’ defenses of Lushaba in the ‘petit press’, one could be forgiven for thinking that he had delivered an important speech at UCT pronouncing on the supremacy of politics over law, utilising dialectical materialism to thoroughly debunk so-called legal institutional analysis, in the process setting the Holocaust in its rightful place, a mere peccadillo involving white people?

Both Chris Roper and Steven Robins are at pains to point out the context of a general critique of various approaches to the teaching of political science. While Roper’s is anything but a systematic contextualisation (in effect denying that the comments were even made), Robins errs on the side of rewriting the lecture altogether, as if the specific context of revolt against democratic and constitutional norms is all good and fine if one also raises substantive issues of colonial violence.

A case of competing frames of reference?

Robins erroneously writes: “As Roper indicates, the wider context of the lecture, and the logic of Dr Lushaba’s overall argument, do not in any way support Holocaust denial, and he certainly does not seek to argue that Hitler and the Nazis committed no crime in their acts of genocidal violence.”

“Instead, the lecture is a critical reflection of the racial blind spots of his discipline of political science, and why it was only after the Holocaust that genocide came to be recognised by scholars and human rights lawyers as a crime against humanity.”

If this were the case, then why did Lushaba not come right out with it, and say so, why beat around the bush? Why slip into an obnoxious, bigoted statement denying Hitler’s culpability for crimes against genocide, or should that be humanity? To use an ignoramus like Roper as an authority, would be to ignore his earlier statements made concerning Negritude and Césaire, a man whose work he rejected in a public address made in 1996, in the process claiming that the term itself was ‘racist’.

As I wrote previously, the result is not simply a moral vacuum in which the only historical crimes of any import are those against black persons, (and vice versa) but worse, a descent into reductionism, racial categorization and the logic of the late BJ Vorster, whose grey shirts were allied to the Nazi Party.

That Lushaba’s approach to political science provides short thrift to his subject matter, may be seen by the equally false claim that there are only three approaches worth considering. Check this page.

Equally problematic is his approach to proven facts like the 13th Amendment to the US constitution. Sorry Sir, while the amendment may have had the effect of extending the category of human being, it tragically did not state so in its wording. The same error appears in Roper’s fatuous piece devoid of truth yet upbraiding the media for breaking the story.

This shoddy approach to evidence-based research in favour of polemic and opinion-making easily embraces racist bile.

While I agree with Robins: “the lecture raises substantive issues about the relationship between the Holocaust and black histories of colonial violence that are certainly worthy of academic and public debate”, I categorically disagree with its intention and true purpose.

The trouble with long-winded mitigation arguments, sans facts, is their obvious attempt to drown out objections. Thus it is not what Lushaba actually says, and what is recorded, but rather an intellectual interpretation of events, one which seeks to spin an obvious faux pas, mere apprehension which passes for a response. In exhalting Hitler’s purported innocence, and ignoring that the intended audience are not pHd candidates per se, but rather first year students, both gaslight instead of enlightening the public. His students deserve a lot better than blatant lies.

“One possible charitable interpretation of Dr Lushaba’s comment is that he understands the word “crime” quite literally to mean a legally proscribed, punishable offense and that he was claiming that under Nazi law it was not a crime to kill Jews” writes David Benatar.

To add fuel to fire, Lushaba proceeds to claim such objections are in the minority, blames the media, and ‘stands by his words’. One would at very least expect an apology, but that would mean climbing down from his seemingly ‘unassailable academic pedestal’, a pedestal from which he has seen fit to launch racist invective.

There are undoubtedly many valid criticisms of racism and colonialism, however, a critique of racism which concludes that in order to combat racism, one has to suppress women, or homosexuals for instance, would not be a valid critique. 

Similarly, a criticism of traditional approaches to political science, a critique which starts by inferring all law is subordinate to politics, but then falsely concludes the findings of war crimes made under Nuremberg were wrong, is not an educated segue into modernist and post-modernist discourse, but rather, a moribund approach to dialectical materialism, one which invariably leads into antinomian and relativistic terrain.

It is the exact same terrain in which our own TRC findings have been subordinated and reduced to irrelevance by political cadres and apparatchiks of Lushaba’s ilk, all emanating from our nation’s academic institutions.

Time to call a spade a spade.

SEE: Commandante Lushaba and the Führer

SEE: Remarks over Hitler by UCT lecturer Lwazi Lushaba are offensive