Category: Counterculture

Aargh, after 15+ years M&G finally gets free software.

During the height of the transition, I submitted an article about software piracy to the Weekly Mail. Needless to say it was rejected by technology editor Arthur Goldstuck and no reason was given. The polemical piece, written in an age before pervasive Internet and P2P championed the cause of free software in the face of piracy and dangerously played with the pirate mythology, casting such advocates as heroes rather than anti-capitalist bandits. As Karl Kraus would have put it: And now, only Piracy will be permitted.

Speaking about piracy today without also declaiming about free software and the open-software movement is, in hindsight a bit like quoting Adam Smith whilst forgetting Das Kapital. Capitalism is not served by ignoring its critics, and neither is journalism in South Africa. Yet almost two decades later, the reconstituted Mail & Guardian is attempting to win back confidence with South Africa’s youth, by publishing a one-sided pro-piracy confabulation by an anonymous author which repeats many of the same mistakes of the prescient article which was eventually published in the final edition of Kagenna magazine.

Fact remains, the first instance of free software advocacy and no holds barred discussion about piracy anywhere in South Africa occurred whilst I was at South. The exact same arguments used by today’s tragically hip anti-DRM intellectuals appeared in the newspaper under my own byline. There was no sense in anonymity. As journalists we were all targets of state-sponsored terrorism and corporate dirty tricks.

The struggle weekly situated in the heart of Cape Town’s coloured community exceeded the Weekly Mail, not in volume but in its majesty of open discourse. Despite this, the subject was considered taboo by the white elite who owned newspapers read by IT specialists and the nouveau riche who could afford to buy software.

South Africa has a terrible track record of censorship. Today we might have a clause guaranteeing freedom of speech and freedom of communication, but corporate interests and sponsor representation at boardroom level dominate the mass media and circumscribe our discussion about topics which impact on the future. The Mail & Guardian is one of the worst offenders. Having struck out against copyleft and the Creative Commons in a debacle involving its failed Amagama website, the mandarins at the Guardian are now merely face saving by cynically backing the inevitable rise of free culture around the planet. Too late to trumpet the joy of digital file sharing in an open-source universe and the realignment of Intellectual Property as opposed to open piracy and P2P?

The one-sided debate, or rather total lack of debate on the subject, can only be seen as a conspiracy on behalf of big business and corporate interests. The Mail and Guardian has a decidedly selfish agenda. What Paulina Borsook would term cyberselfishness is merely being played out under the guise of a pro-piracy ventilation which when putsch comes to shovel is all about South Africa’s fashion conscious new digital elite, who can ignore the demands of the masses for free and open source communication, while destroying Intellectual Property as we know it.

What is actually achieved by publishing anonymous texts promoting piracy? Surely the issue is Free and Open Source Software (FOSS) under the GPL licensing scheme which makes such sharing legal, in particular the rise of digital culture and the creative commons, influenced as it is, not by the tragi-comic “heroes of capitalism” or “free enterprise gurus” such as Bill Gates and Steve Jobs and Wozniak, but rather the cultural emergence of dyed in the wool leftists and counter-cultural icons Richard Stallman, Cory Doctorow and Eric S Raymond.

After succumbing to Microsoft propaganda and Apple-induced design masochism, are the faceless pundits behind the M&G cultural desk waking up to the latest impulse in our culture or merely resurrecting a forgotten cause?

Turning the discourse of free and open source software into a cloak and dagger debate about digital redistribution, whilst hiding behind a veil of anonymity merely reinforces the stereotype of the pirate or “hacker”. Remember those unsavoury types conjured up by the new media during the eighties? Computer libertarians and cyber-anarchists who refused to buy into legally dubious EULAS, blatantly unfair Non-Disclosure Agreements (NDAs) and fringe Intellectual Property permits were all too often cast as law-breaking hooligans who merely wanted to steal other people’s property.

As I vainly attempted to explain in my 1991 article published by South, “Technology has outstripped notions of private property and computer software confronts us with a moral dilemma: how do we treat property which has no physical form and which can be infinitely reproduced?” In any event anarchists (as well as libertarians) would seek a society based upon voluntary aid, mutual benefit, community cooperation and non-aggression, as opposed to the violent self-serving and naked aggression inherent to capitalism and its changeling herald, piracy.

This kind of rhetoric was greeted by Goldstuck and others as if I was talking down from the Moon, demanding free space-dust for a lunatic minority. It is therefore exceedingly ironic and poetic justice that the person going by the pseudonym Anon P Rate should start by questioning the very label which has been attached to the act of piracy: “Call me whatever name you want. I’m doing it all in the name of digital redistribution.”

Advocates of a realignment of property rights in the digital age have a real problem on their hands. If they advocate anything more than file-sharing they are denounced as evil commies. If they see anything more in Open Source than digital redistribution, they are politely shown the door, never to be seen again. Yet it is piracy which is at the heart of the capitalist system. The urge to appropriate and privatize virtual as well as non-virtual assets, whether by repurposing content, appropriating code or feeding off electrical energy circuits, satisfies our libidinal desire for personal power as well as greater control and wealth. In short avariciousness. This is surely the very essence of the artificial freedom behind capitalist discourse and the simulacra of property rights?

It is an anarchist understatement to say like Bakunin: All property is theft. Yet this is precisely what property represents at the end of the day. So much of who we are as a species is governed by property and our lack of it. Without property law we would all be left in a brutish jungle in which might makes right or would we simply turn into permanent daytrippers in a pirate utopia? Or better yet, why not true communism in a world in which labour is freed up by a work-force of robotic (and inherently digital) servants?

When what’s yours becomes mine and who we are in terms of property breaks down, who gets to differentiate where You and I begin and end? How is the social contract informed by the evolving public domain and what is often referred to as the “tragedy of the commons”? It is far wiser to explore the limits of our online community and its shapeshifting social mores caused by the Internet’s nuanced cultural boundaries on our own terms, than to import the empty rhetoric of the newswires.

If the author/s had bothered to do their homework they would at least distinguish between appropriation and outright theft, free as in freedom and free as in beer. But shiver me timbers, there seems to be a whiff of pirate outlaw in the air, a stench which is remarkable considering all the years which have passed since I first wrote about software piracy.

Whether in terms of the increasingly popular GPL3, BSD & CC license schemes or our altered concepts of the public domain and intellectual commons which inform the new resources and consciousness of our age, or by as yet indeterminate and contrived means still waiting to be discovered, the truth deserves to be told.

How for instance does one distinguish between what Lawrence Lessig refers to as a rivelrous resource and a non-rivelrous one? Is rivalry something which is culturally innate along with the need to compete? Or are we sharing because we sense, perhaps at the very back of our minds, that competition is no longer important in an age of infinite reproduction and instant duplication?

When I entered the Weekly Mail newsroom back in 1992, it was with a wild story about a magical duplicating device called the personal computer.

“The twentieth century has brought with it a new type of criminal, the software pirate. Let us consider this high-tech animal,” began the spiked piece, which Goldstuck now reckons was “rejected because it was not good enough.”

I could just as easily rock Goldstuck’s world view today with a true but fantastical essay on the biological printer. A novel device which is capable of “printing” human organs from DNA. In all likelihood, I would again be shown the door, not because Goldstuck is evil, but because in today’s information age, the vast majority of well-meaning individuals like him choose to remain ignorant.

I therefore challenge the Mail and Guardian and its current technology writers to have the balls to stand up and be counted. Hiding behind a /nom de plume/ in this day and age, whether for scientific or intellectual curiosity is not only cowardly, it is an insult to those who have had the grace to step forward in the interests of humanity without fear of the repercussions.

Dennis Beckett in favour of legalisation

WELL-known media personality, Dennis Beckett is in favour of the relaxation of drug legislation, in particular, the legalisation of dagga. “I can’t see where the moral is,” said Beckett, on  late night with Kgomotso on SABC2 (Saturday), “If I can get drunk on alcohol, why can’t cannabis users get wasted?” The comments came after Kgomotso screened rare footage of Beckett’s Trek, in which Beckett was handed a joint and proceeded to get “ire” with a bunch of  rastas. The irreverent journalist is in good company, as the premier of Mpumalanga Thabang Makwetla also favours legalisation and indicated as much at a recent tourism summit. We can only hope Beckett’s words are not taken out of context, since he cautioned against substance abuse and did not see the need to use weed for any purpose other than recreation.

The Trinity Interview

Medialternatives interviewed sex columnist Trinity Diva about her annual public nudity event in Cape Town. Details about the event can be found on the Naked Artist blog.

1. How are you related to the original Lady Godiva?

I am the reincarnation of Lady Godiva of Coventry, infamous naked horse rider and 11th Century Art Patron. I have past memories and unexplained coincidences in my life that indicate to me that I carry a portion of her soul.

2. What do you think about the body, should it be exposed?

I believe that we should all be as naked as we want to be, without weapons of any kind. Nudity leads to peace. Even lovers cover themselves with a sheet when they are arguing in bed. Nobody ever went to war naked. Except me, but then my war is the war of the sexes, the war of the senses, the fight of love against fear.

3. Was your horse in on the action – what is his/her name?

My Piebald war-horse is called “Apache”

4. Feedback from the public, how do they relate to what you did?

My Public Nude shows always have a similar reaction. Human beings are respectful of the vulnerability of nudity. I am always treated with love and respect as well as the inevitable mass shock and mass hypnotism that my show invokes. My audience will never forget me. I inspire them with passion, freedom, horror, and extreme emotions of every kind. I instill life energy.

5. Are there any taboos left, boundaries you wish to cross?

Yes. The most dangerous taboo of them all. I wish to combine Love and Sex.

6. Do you know about the Lady Godiva in Poland?

Yes. There are many Lady Godiva’s all over the world. We are the Wild Women brought back to life in a tide of rebellious balancing feminine energy that is now sweeping the planet.

7. What possessed you to become a sexual freedom fighter?

It is my destiny. I am an artist, I am a human, I have lived through the sexual trauma being born in a sexually repressed society, I have no choice but to heal the damage done to the sexual spirit, in myself and my society, using my talents as an artist, psychologist and sex therapist.

8. What is the best and worst question you have received as a columnist?

The best sex question is always that saucy sexy thing that everyone never knows how to talk about but everyone wanted to try…Tantra, tonsils, toes, torniques, tossing the roles, trying new roles, testing boundaries, tree hugging… it’s all titillating.

The worst ones are just expressions of the darkness of the sexual soul. These are also about toes, tonsils, triggers, tears, terribles, trauma-reliving and trust broken.

9. What do your publishers think about this?

My publishers support sexual healing. They probably want good sex lives just like everyone else I know.

10. It’s obvious you draw your inspiration from other public nudity artists, what have you to say about city bylaws against public nudity?

Eventually anti-nudity law will naturally fall away as nudity will no longer be that naked space of protesting artists but our natural birthright as sacred sexual beings.

Is Ed Young a Satanist?

Latest attempt at publicity

THE pretentious white-boy from Welkom who arrived on the Cape Town art scene during a millennial slump, had very little to show for himself except a big mouth. Young quickly made a name as an infamous rude-boy, whose method of operation was the hackneyed “art attack” involving one or more victims. (As one of his “victims” I believe I can report about such nefarious activities). Not content with sacrificing aesthetics and profit, Young took to bully boy stunts and conning the media into participating in what he called “conceptual art”. In reality Young disliked everything he saw. As columnist Suzy Bell who “bought” Bruce Gordon after being approached by Young in a scheme relates: “The problem with Ed is, he isn’t an artist. Not like Wayne Barker who was rude, had attitude but at the end of the day, produced the goods.”

With little to show for his visual arts degree purchased from Michaelis, Young was forced out of desperation into producing futile and sterile acts. Young even struck up a weird relationship with Ronald Suresh Roberts at the height of the scandal involving Robert’s defamation case against the Sunday Times. Whilst Roberts was being pilloried and depicted as a carpetbagger with his head up our second President’s behind, Ed chose to support Robert’s freedom to be unlikable.


Ed "Belzebub" Young's business card

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