HUFFINGTON POST need look no further than inside the offices of its local owners at the Naspers Building, where portraits of apartheid theologian DF Malan were openly displayed near the editors office, as late as 2006 when I attended an Eidos training course.
Two portraits that of Naspers founder JBM Hertzog and Perskor business partner H F Verwoerd are depicted in the piece published by Huffington.
By attempting an investigation of apartheid artwork, in a curious piece seemingly giving the appearance of editorial distance from the problem of their own association, the company is merely playing into the hands of those at Naspers who would revise history. The article fails to disclose Huffington’s business connection and involvement, and unfolds as if the portraits shown are merely that of some troublesome politicians.
Naspers itself has redacted its online corporate history to avoid uncomfortable questions surrounding director PW Botha.
No Mr Du Toit, you’re not investigating mere ‘apartheid art, you’re investigating your own history — the history of the self-same company instrumental in the creation of apartheid and the resulting tragedy which unfolded.
Recently Naspers directors have appeared at pains to create the impression they are the heroes not the antagonists of the struggle for freedom. The historical record is a little different and shows that Naspers were indicted on crimes against humanity and gross violations under apartheid by the TRC. The piece is consistent with the campaign of opposition to accountability.
In bringing the Huffington Post to South Africa, Naspers have gained an English language daily online title. They need to be reminded apartheid is still a crime, whatever the language, and whichever the colour of the ‘alternative facts’ procured by the Deputy-Editor.